A Twist in the Tale
From Publishers Weekly
Archer's ( Kane and Abel ) talent as a raconteur is evident in these 12 distinctive short stories, all of which have surprise endings. Many center on human failings such as jealousy, obstinacy, pettiness or prejudice; 10 are based on "known incidents" that Archer has "embellished." An almost reportorial, straightforward style actually enhances each concluding jolt. In "The Perfect Murder," a married man kills his mistress, cunningly implicates someone else, and ensures that hapless person's conviction. "A La Carte" concerns Mark Hapgood, who grudgingly works as a lowly hotel porter to please his father, then unexpectedly becomes a celebrated hotel chef. The amorous, contented female narrator of "Just Good Friends" turns out to be a cat. The stunning "Christinia Rosenthal" shows the needless tragedy that results when a girl's anti-Semitic parents oppose her marriage to a rabbi's son. Though the plots are rather slight, Archer's understanding of human nature, and his talent for surprise endings, make this volume a must for his fans. First serial to Penthouse and New Woman; Literary Guild alternate; major ad/promo; author tour.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
Review
"Cunning plots, silken style...Archer plays a cat-and-mouse game with the reader." -_The New York Times_
"A storyteller in the class of Alexander Dumas...Unsurpassed skill...making the reader wonder intensely what will happen next." -_Washington Post_
More Praise for Jeffrey Archer:
"A master at mixing power, politics, and profit into fiction" -Entertainment Weekly
"A master at mixing power, politics, and profit into fiction" -Entertainment Weekly
"Archer is a master entertainer." -Time Magazine
"One of the top ten storytellers in the world" -Los Angeles Times
"Archer plots with skill, and keeps you turning the pages." -Boston Globe
Deception Point
EDITORIAL REVIEW: From the *New York Times* bestselling author of *The Da Vinci Code* comes an explosive, high-tech thriller that takes readers from the chilling depths of the Arctic Ocean to the treacherous heights of Washington power. When a new NASA satellite spots evidence of an astonishingly rare object buried deep in the Arctic ice, the floundering space agency proclaims a much-needed victory...a victory that has profound implications for U.S. space policy and the impending presidential election. With the Oval Office in the balance, the President dispatches White House Intelligence analyst Rachel Sexton to the Milne Ice Shelf to verify the authenticity of the find. Accompanied by a team of experts, including the charismatic academic Michael Tolland, Rachel uncovers the unthinkable: evidence of scientific trickery -- a bold deception that threatens to plunge the world into controversy. But before Rachel can contact the President, she and Michael are attacked by a deadly team of assassins controlled by a mysterious power broker who will stop at nothing to hide the truth. Fleeing for their lives in an environment as desolate as it is lethal, their only hope for survival is to find out who is behind this masterful ploy. The truth, they will learn, is the most shocking deception of all. In *Deception Point,* bestselling author Dan Brown transports readers from the ultrasecret National Reconnaissance Office to the towering ice shelves of the Arctic Circle, and back again to the hallways of power inside the West Wing. Heralded for masterfully intermingling science, history, and politics in his critically acclaimed, blockbuster thrillers *Angels & Demons* and *The Da Vinci Code,* Brown has crafted a novel in which nothing is as it seems -- and behind every corner is a stunning surprise. *Deception Point* is pulse-pounding fiction at its best.
Disclosure
From School Library Journal
YA-Beautiful, bright, and talented Meredith Johnson arrives at Digital Communications Technology company to become the head of a division, a position that Tom Sanders thought was going to be his. Meredith, his former lover, invites him to her office after hours and attempts to seduce him. When he rejects her, she accuses him of sexual harassment. Tom hires Louise Fernandez to defend him and reverses the accusation to name Meredith as the aggressor. To this plot, Crichton adds computer-industry sabotage, corporate mergers, video-linkups, stock options, CD-ROM jargon, and even a trip on a virtual-reality simulator to help Tom save his reputation and career. YAs will love all the technology and the author's easy, readable style, but the graphic sex and obvious theme that harassment is power may make Disclosure a more suitable choice for public than for school libraries.
Katherine Fitch, Lake Braddock Secondary School, Burke, VA
Copyright 1994 Reed Business Information, Inc.
Katherine Fitch, Lake Braddock Secondary School, Burke, VA
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Will Crichton's next book be a best seller? Does the Rising Sun appear in the east? The king of the blockbuster novel-- and the blockbuster movie--Crichton has lately been taking on controversial issues. In this new work, already sold to the movies for $4 million, a man finds himself accused of sexual harassment by his new boss--and former lover.
Copyright 1994 Reed Business Information, Inc.
Copyright 1994 Reed Business Information, Inc.
False Impression
SUMMARY:
hen an aristocratic old lady is brutally murdered in her English country home on the night before September 11, 2001, it will take all the resources of the FBI and Interpol to work out the connection between her death and a priceless Van Gogh, which is stolen that night. But in the end, it is a courageous young woman who escapes from North Tower of the World Trade Center after the first plane crashes into the building, who has the foresight and determination to take on both sides of the law and avenge the old ladys death. The young woman, Anna Petrescu, takes advantage of being missing and presumed dead in the days after 9/11 to escape from New York City, only to be pursued by both the FBI and a ruthless assassin across the globe, from Toronto to London, to Hong Kong, Tokyo and Bucharest. But it is only when she finally returns to New York that the mystery unravels. In his first thriller since The Eleventh Commandment, international bestselling author Jeffrey Archer takes the reader on a breathtaking journey, full of twists and turns, all leading back to the question of why so many people are willing to risk their lives to own Van Goghs Self Portrait with Bandaged Ear. And its not just because it could be worth one hundred million dollars.
hen an aristocratic old lady is brutally murdered in her English country home on the night before September 11, 2001, it will take all the resources of the FBI and Interpol to work out the connection between her death and a priceless Van Gogh, which is stolen that night. But in the end, it is a courageous young woman who escapes from North Tower of the World Trade Center after the first plane crashes into the building, who has the foresight and determination to take on both sides of the law and avenge the old ladys death. The young woman, Anna Petrescu, takes advantage of being missing and presumed dead in the days after 9/11 to escape from New York City, only to be pursued by both the FBI and a ruthless assassin across the globe, from Toronto to London, to Hong Kong, Tokyo and Bucharest. But it is only when she finally returns to New York that the mystery unravels. In his first thriller since The Eleventh Commandment, international bestselling author Jeffrey Archer takes the reader on a breathtaking journey, full of twists and turns, all leading back to the question of why so many people are willing to risk their lives to own Van Goghs Self Portrait with Bandaged Ear. And its not just because it could be worth one hundred million dollars.
Not a Penny More, Not a Penny Less
Review
"One of the top ten storytellers in the world."-Los Angeles Times
"Archer...has an extraordinary talent for turning notoriety into gold, and
telling fast-moving stories." -The Philadelphia Inquirer
telling fast-moving stories." -The Philadelphia Inquirer
"A master at mixing power, politics, and profit into fiction."--Entertainment Weekly
"Archer plots with skill, and keeps you turning the pages."--The Boston Globe
"Cunning plots, silken style...Archer plays a cat-and-mouse game with the reader."
--The New York Times
--The New York Times
"A storyteller in the class of Alexandre Dumas...unsurpassed skill...making the reader wonder intensely what will happen next."--The Washington Post
"Archer is one of the most captivating storytellers writing today. His novels are dramatic, fast moving, totally entertaining-and almost impossible to put down."-Pittsburgh Press
-- Review
-- Review
Product Description
The conned: an Oxford don, a revered society physician, a chic French art dealer, and a charming English lord. They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe. A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man.
With nothing left to lose four strangers are about to come together-each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge-and they were taught by a master
Twelve Red Herrings
From Publishers Weekly
Archer does a passable O. Henry in his third story collection (after A Twist in the Tale ), though without that master's depth of feeling or irony. Many of the 12 stories here, all of which feature false clues and twist endings, are based on "known" incidents; the fact that the weakest ones are not suggests that Archer's love of plot may exceed his unaided grasp. The leadoff yarn, "Trial and Error," for instance, an original but attenuated tale of a wronged man's thirst for revenge, kicks in only with its predictably wry twist. Also original but flaccid is the last story, which features four rather obvious alternative endings that the reader can tack onto an opening gambit about a man picking up a woman at the theater. The adaptive tales are generally stronger. "Chunnel Vision" offers a classic red herring by which Archer uses a jilted woman's revenge on her lover to divert our attention from the real threat to the lover's happiness. Similarly, the chilling "Never Stop on the Motorway" plays on our expectations about an endangered woman's plight. Written in strong, clean prose and ranging in tone from charming to achingly suspenseful, these tales, mostly entertaining but often slight, offer, like much of Archer's work, more craft than art. $365,000 ad/promo; audio rights to HarperAudio.
Copyright 1994 Reed Business Information, Inc.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
There's probably not a red herring among these stories from master spy writer Archer.
Copyright 1994 Reed Business Information, Inc.
Copyright 1994 Reed Business Information, Inc.