A Twist in the Tale
From Publishers Weekly
Archer's ( Kane and Abel ) talent as a raconteur is evident in these 12 distinctive short stories, all of which have surprise endings. Many center on human failings such as jealousy, obstinacy, pettiness or prejudice; 10 are based on "known incidents" that Archer has "embellished." An almost reportorial, straightforward style actually enhances each concluding jolt. In "The Perfect Murder," a married man kills his mistress, cunningly implicates someone else, and ensures that hapless person's conviction. "A La Carte" concerns Mark Hapgood, who grudgingly works as a lowly hotel porter to please his father, then unexpectedly becomes a celebrated hotel chef. The amorous, contented female narrator of "Just Good Friends" turns out to be a cat. The stunning "Christinia Rosenthal" shows the needless tragedy that results when a girl's anti-Semitic parents oppose her marriage to a rabbi's son. Though the plots are rather slight, Archer's understanding of human nature, and his talent for surprise endings, make this volume a must for his fans. First serial to Penthouse and New Woman; Literary Guild alternate; major ad/promo; author tour.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
Review
"Cunning plots, silken style...Archer plays a cat-and-mouse game with the reader." -_The New York Times_
"A storyteller in the class of Alexander Dumas...Unsurpassed skill...making the reader wonder intensely what will happen next." -_Washington Post_
More Praise for Jeffrey Archer:
"A master at mixing power, politics, and profit into fiction" -Entertainment Weekly
"A master at mixing power, politics, and profit into fiction" -Entertainment Weekly
"Archer is a master entertainer." -Time Magazine
"One of the top ten storytellers in the world" -Los Angeles Times
"Archer plots with skill, and keeps you turning the pages." -Boston Globe
Disclosure
From School Library Journal
YA-Beautiful, bright, and talented Meredith Johnson arrives at Digital Communications Technology company to become the head of a division, a position that Tom Sanders thought was going to be his. Meredith, his former lover, invites him to her office after hours and attempts to seduce him. When he rejects her, she accuses him of sexual harassment. Tom hires Louise Fernandez to defend him and reverses the accusation to name Meredith as the aggressor. To this plot, Crichton adds computer-industry sabotage, corporate mergers, video-linkups, stock options, CD-ROM jargon, and even a trip on a virtual-reality simulator to help Tom save his reputation and career. YAs will love all the technology and the author's easy, readable style, but the graphic sex and obvious theme that harassment is power may make Disclosure a more suitable choice for public than for school libraries.
Katherine Fitch, Lake Braddock Secondary School, Burke, VA
Copyright 1994 Reed Business Information, Inc.
Katherine Fitch, Lake Braddock Secondary School, Burke, VA
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Will Crichton's next book be a best seller? Does the Rising Sun appear in the east? The king of the blockbuster novel-- and the blockbuster movie--Crichton has lately been taking on controversial issues. In this new work, already sold to the movies for $4 million, a man finds himself accused of sexual harassment by his new boss--and former lover.
Copyright 1994 Reed Business Information, Inc.
Copyright 1994 Reed Business Information, Inc.
Not a Penny More, Not a Penny Less
Review
"One of the top ten storytellers in the world."-Los Angeles Times
"Archer...has an extraordinary talent for turning notoriety into gold, and
telling fast-moving stories." -The Philadelphia Inquirer
telling fast-moving stories." -The Philadelphia Inquirer
"A master at mixing power, politics, and profit into fiction."--Entertainment Weekly
"Archer plots with skill, and keeps you turning the pages."--The Boston Globe
"Cunning plots, silken style...Archer plays a cat-and-mouse game with the reader."
--The New York Times
--The New York Times
"A storyteller in the class of Alexandre Dumas...unsurpassed skill...making the reader wonder intensely what will happen next."--The Washington Post
"Archer is one of the most captivating storytellers writing today. His novels are dramatic, fast moving, totally entertaining-and almost impossible to put down."-Pittsburgh Press
-- Review
-- Review
Product Description
The conned: an Oxford don, a revered society physician, a chic French art dealer, and a charming English lord. They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe. A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man.
With nothing left to lose four strangers are about to come together-each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge-and they were taught by a master
The Reluctant Fundamentalist
Amazon.com Review
Mohsin Hamid's first novel, Moth Smoke, dealt with the confluence of personal and political themes, and his second, The Reluctant Fundamentalist, revisits that territory in the person of Changez, a young Pakistani. Told in a single monologue, the narrative never flags. Changez is by turns naive, sinister, unctuous, mildly threatening, overbearing, insulting, angry, resentful, and sad. He tells his story to a nameless, mysterious American who sits across from him at a Lahore cafe. Educated at Princeton, employed by a first-rate valuation firm, Changez was living the American dream, earning more money than he thought possible, caught up in the New York social scene and in love with a beautiful, wealthy, damaged girl. The romance is negligible; Erica is emotionally unavailable, endlessly grieving the death of her lifelong friend and boyfriend, Chris.
Changez is in Manila on 9/11 and sees the towers come down on TV. He tells the American, "...I smiled. Yes, despicable as it may sound, my initial reaction was to be remarkably pleased... I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees..." When he returns to New York, there is a palpable change in attitudes toward him, starting right at immigration. His name and his face render him suspect.
Ongoing trouble between Pakistan and India urge Changez to return home for a visit, despite his parents' advice to stay where he is. While there, he realizes that he has changed in a way that shames him. "I was struck at first by how shabby our house appeared... I was saddened to find it in such a state... This was where I came from... and it smacked of lowliness." He exorcises that feeling and once again appreciates his home for its "unmistakable personality and idiosyncratic charm." While at home, he lets his beard grow. Advised to shave it, even by his mother, he refuses. It will be his line in the sand, his statement about who he is. His company sends him to Chile for another business valuation; his mind filled with the troubles in Pakistan and the U.S. involvement with India that keeps the pressure on. His work and the money he earns have been overtaken by resentment of the United States and all it stands for.
Hamid's prose is filled with insight, subtly delivered: "I felt my age: an almost childlike twenty-two, rather than that permanent middle-age that attaches itself to the man who lives alone and supports himself by wearing a suit in a city not of his birth." In telling of the janissaries, Christian boys captured by Ottomans and trained to be soldiers in the Muslim Army, his Chilean host tells him: "The janissaries were always taken in childhood. It would have been far more difficult to devote themselves to their adopted empire, you see, if they had memories they could not forget." Changez cannot forget, and Hamid makes the reader understand that--and all that follows. --Valerie Ryan
A Conversation with Mohsin Hamid
Set in modern-day Pakistan, Mohsin Hamid's debut novel, Moth Smoke, went on to win awards and was listed as a New York Times Notable Book of the Year. His bold new novel, The Reluctant Fundamentalist, is a daring, fast-paced monologue of a young Pakistani man telling his life story to a mysterious American stranger. It's a controversial look at the dark side of the American Dream, exploring the aftermath of 9/11, international unease, and the dangerous pull of nostalgia. Amazon.com senior editor Brad Thomas Parsons shared an e-mail exchange with Mohsin Hamid to talk about his powerful new book
Set in modern-day Pakistan, Mohsin Hamid's debut novel, Moth Smoke, went on to win awards and was listed as a New York Times Notable Book of the Year. His bold new novel, The Reluctant Fundamentalist, is a daring, fast-paced monologue of a young Pakistani man telling his life story to a mysterious American stranger. It's a controversial look at the dark side of the American Dream, exploring the aftermath of 9/11, international unease, and the dangerous pull of nostalgia. Amazon.com senior editor Brad Thomas Parsons shared an e-mail exchange with Mohsin Hamid to talk about his powerful new book
Read the Amazon.com Interview with Mohsin Hamid
From Publishers Weekly
Hamid's second book (after Moth Smoke) is an intelligent and absorbing 9/11 novel, written from the perspective of Changez, a young Pakistani whose sympathies, despite his fervid immigrant embrace of America, lie with the attackers. The book unfolds as a monologue that Changez delivers to a mysterious American operative over dinner at a Lahore, Pakistan, cafe. Pre-9/11, Princeton graduate Changez is on top of the world: recruited by an elite New York financial company, the 22-year-old quickly earns accolades from his hard-charging supervisor, plunges into Manhattan's hip social whirl and becomes infatuated with Erica, a fellow Princeton graduate pining for her dead boyfriend. But after the towers fall, Changez is subject to intensified scrutiny and physical threats, and his co-workers become markedly less affable as his beard grows in ("a form of protest," he says). Erica is committed to a mental institution, and Changez, upset by his adopted country's "growing and self-righteous rage," slacks off at work and is fired. Despite his off-putting commentary, the damaged Changez comes off as honest and thoughtful, and his creator handles him with a sympathetic grace. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The Terminal Man
SUMMARY: Harry Benson is prone to violent, uncontrollable seizures and is under police guard after attacking two people. Dr. Roger McPherson, head of the prestigious Neuropsychiatric Research Unit at University Hospital in Los Angeles, is convinced he can cure Benson through a procedure called Stage Three. During this highly specialized experimental surgery, electrodes will be place in the patient's brain, sending monitored, soothing pulses to its pleasure canyons. Though the operation is a success, there is an unforseen development. Benson learns how to control the pulses and is increasing their frequency. He escapes -- a homicidal maniac loose in the city -- and nothing will stop his murderous rampages or impede his deadly agenda. . .
To Cut a Long Story Short
Amazon.com Review
To Cut a Long Story Short reads like a series of modern fairy tales. In each story, Jeffrey Archer presents a moral problem, and a character finds himself tested in a dark hour. Evil manifests itself in the form of selfish relatives, corrupt cops, racist men. Good arrives in the form of unselfish minor characters who suddenly emerge as the real center of the story, or lost souls who come out the other side of corruption and renounce their old ways.
In "The Endgame" Cornelius Barrington decides to fake a bankruptcy. As one of the richest men in his small town, he hopes his sudden plunge into poverty will reveal the true character of his friends and relatives. He calls in debts, asks to borrow money from those he has lent to in the past, only to be turned away time and again.
After lunch Cornelius took a bus into town--a novel experience. It was some time before he located a bus stop, and then he discovered that the conductor didn't have change for a twenty pound note. His first call after he had been dropped off in the town centre was to the local estate agent, who didn't seem surprised to see him. Cornelius was delighted to find how quickly the rumour of his financial demise must be spreading.
"The Endgame" is a complex tale with a clear message. Not all the stories in To Cut a Long Story Short attempt such weightiness. "The Expert Witness" is a delightful parody of the legal system, a portrait of two pub mates--a lawyer and an expert witness--who often find themselves facing off in the courtroom, pretending not to know each other. Certain pieces (glimpses, vignettes) last a mere two pages, but whatever the length or weight of the story, throughout this collection Archer has a light touch, a quick wit, and a thorough understanding of the mechanics of suspense. --Emily White
From Publishers Weekly
Archer (Twelve Red Herrings; The Fourth Estate) maintains his obsession with surprise endings, producing a collection of 14 cleverly twisting tales, nine of which are "based on true incidents." If most of the stories fail to produce a lasting effect, they are characteristically fluid and occasionally satisfying. Among the most successful is "Something for Nothing," inspired by a real story. Jake, a New York City father making a routine telephone call to his elderly mother, overhears another conversation in which instructions are given to pick up an envelope containing $100,000. Jake dashes out of his apartment and intercepts the loot before the intended recipient, but discovers that nothing is ever as foolproof as it sounds. In "A Change of Heart," another fact-based tale, a white bigot in South Africa gets a heart transplantAand discovers the heart belonged to an African man he killed in a car accident. The incident inspires the bigot and others to reconsider their narrow views. "The Endgame" has a smart premiseAa multimillionaire widower tests his family's loyalty by declaring himself bankruptAyet the characters move as predictably as the chess pieces on the valuable set that is the focal point of the tale. "A Weekend to Remember" features bachelor-hotel owner Tony Romanelli and a sexy arts writer named Susie. Tony prides himself on being able to read if a woman is "interested" by the feel of her greeting or parting hug, but he reads the wrong story in Susie's enthusiastic squeeze. Perhaps cutting these fictions short was a mistake, their complex premises demanding lengthier elaboration. However, Archer's following is legion and the collection will doubtless find its readership. (Jan. 7)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
Vampire Chronicles 3: The Queen of the Damned
SUMMARY: "A welcome chance to catch up with old friends...Fascinating...When we emerge from its folds, there's good news on the last page: 'The chronicle of the vampires will continue.' Yum."PHILADELPHIA INQUIRERA feat of mesmerizing storytelling, a chilling entertainment, THE QUEEN OF THE DAMNED unleashes Akasha, the Queen herself, who has risen from a six-thousand year sleep to let loose the powers of the night. Akasha has a marvelously devious plan to "save" mankind and destroy Lestat--in this extraordinarily sensual novel of the complex, erotic, electrifying world of the undead. SUMMARY: "A welcome chance to catch up with old friends...Fascinating...When we emerge from its folds, there's good news on the last page: 'The chronicle of the vampires will continue.' Yum."PHILADELPHIA INQUIRERA feat of mesmerizing storytelling, a chilling entertainment, THE QUEEN OF THE DAMNED unleashes Akasha, the Queen herself, who has risen from a six-thousand year sleep to let loose the powers of the night. Akasha has a marvelously devious plan to "save" mankind and destroy Lestat--in this extraordinarily sensual novel of the complex, erotic, electrifying world of the undead.
Vampire Chronicles 4: The Tale of the Body Thief
SUMMARY: "A wonderfully mesmerizing adventure, delving into the convoluted mind of one of modern fiction's most famous anti-heroes, the vampire Lestat. Rice's writing is elegant and thought-provoking and her story is a gem."THE SAN DIEGO UNION-TRIBUNEFor centuries Lestat has been a courted prince in the universe of the dead. Now he is alone and everything he once believed in seems false. So he embarks on a dangerous journey to destroy his doubts and loneliness forever....
Violin
Amazon.com Review
If neatness counts for you, don't count on Anne Rice's musical-ghost novel Violin. It is an eruption of the author's personal demons, as messy as the monster bursting from that poor fellow's chest in the movie Alien. Like Rice, the heroine Triana lives in New Orleans, mourns a dead young daughter and a drunken mother, and is subject to uncanny visions. A violin-virtuoso ghost named Stefan time-trips and globetrots with Triana, taunting her for her inability to play his Stradivarius--which echoes composer Salieri's jealousy in Amadeus and possibly Rice's jealousy of her successful poet husband Stan Rice in the years before her own florid, lurid writing made her famous. The storytelling here is too abstract, but the almost certainly autobiographical emotions could not be more visceral. At one point, the narrator exclaims, "Shame, blame, maim, pain, vain!" But Rice's dip in the acid bath of memory was not in vain--she packs the pain of a lifetime into 289 pages.
From
Advice to Rice: don't write so much. She could have easily skipped her latest novel. She simply doles out hackneyed Rice themes and motifs and expects them to fly. They don't. In her New Orleans home, 54-year-old Triana Becker attends her partner Karl's death by AIDS; despite her focus on this horrible experience transpiring before her eyes, she is distracted by a violin-playing figure stepping in and out of shadows. Triana, in adolescence, had wanted to be a concert violinist, but the dream never materialized. Now she is seduced by this elusive figure's playing, and his seductiveness draws her into his netherworld, where she must encounter not only troubled memories but also the apparition's troubled past. But his violin--in her hands, will it give her the star-musician status she always dreamed of possessing? By the time that question is answered, the reader is weary of Rice's clumsy prose style and her lack of inventiveness in terms of plot. But she has fans galore, so be prepared for high demand. Brad Hooper